"If you do it every day, you'll die."a pathetic struggle [It's too much]

*This content was translated by AI.

"Everyone is fighting their own worthlessness" released a third teaser featuring the pitiful struggles of humans who have become distressed while fighting their worthlessness.

The third teaser of JTBC's new Saturday-Sunday drama "Everyone is Fighting Their Unworthiness" (directed by Cha Young-hoon, scripted by Park Hae-young, production studio Phoenix, SLL, Studio Flow, hereinafter referred to as "Momoussa") begins with Hwang Dong-man (Old Exchange) asking the fundamental question, "Why are we living so hard as if we will never disappear?" This line, which sticks like a dagger in the hearts of characters struggling with their respective worthlessness, contains a heavy topic penetrating the work.

Hwang Dong-man's confession, a late film director preparatory student who was unable to debut alone among his classmates, makes me tear up. When pressed by his older brother Hwang Jin-man (Park Hae-joon), whether what he wanted was a success, he said, "Not anxious. I just don't need to be anxious," he says, fighting back tears. This is a part that reflects our hearts, which desperately need "relaxation" rather than grand achievement. In fact, Hwang Jin-man, who seems to be flogging his younger brother's success and debut, is experiencing the end of his incompetence and reducing his worthlessness to a lonely glass of wine.

The pain of Byun Eun-ah (Ko Yoon-jung), a producer of "Choi Film," appears as a physical symptom. She also seems to be in jeopardy, wiping off the blood with a confession that "If I think I'm going to throw it away, my whole body hurts and I have a nosebleed." The scenario in which CEO Choi Dong-hyun (Choi Won-young) heartlessly threw it over the desk, saying, "Throw it away!" seems to be synchronized with himself.

Even those who seem to be on track for spectacular success have little difference in the reality of fighting worthlessness. Park Kyung-se (Oh Jung-se), the famous director who made his fifth movie, said, "Debut film is the best." His anger, "Isn't Hwang Dong-man pathetic and am I pathetic?" is a pathetic struggle not to be pushed out of the top and become worthless, trapped in his debut movie fame. Ko Hye-jin (Kang Mal-geum), who led the film and supported her husband Park Kyung-se's success, often spent a painful night self-deprecating, saying, "I'm sorry I didn't talk to you."

Director Park Young-soo (Jeon Bae-soo), the eldest brother of the eight-member group of famous filmmakers and the spiritual leader, confesses the loneliness he has felt in the film industry, where natural talent is prevailing, by confessing, "What kind of greed is a man who is not good at this game?" Jang Mi-ran (Han Seon-hwa), who showed off the prowess of a top actor with a proud face while being baptized with flash, secretly wipes away tears. The anger of those who vomit, saying, "We are all pitiful," goes beyond self-pity and reflects us struggling in a swamp of worthlessness in our respective positions, giving us a heavy empathy.

Nevertheless, Hwang Dong-man resists the forced passion, saying, "If you do it every day, you will die." And since you don't want to succeed, it reveals a small but great desire to overcome a little bit of futility by just doing one thing. Green expectations are rising that this work will be a cheerleader for all ordinary humans who fought fiercely today to prove their existence value, not a spectacular victory report.

"Momoussa" is a work in which writer Park Hae-young, who creates the lowest emotions of life in the most noble sentences, and director Cha Young-hoon, who showed warm humanism by capturing the extraordinary solidarity of ordinary people. With "anxiety," the universal emotion of modern people, as the keyword, it is regarded as the most anticipated work in the first half of 2026 that will turn on the "green light of life" for those who have stopped at the red light of valuelessness. The first episode will air on April 18 at 10:40 p.m.

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*This content was translated by AI.