[Exclusive]Director Shin Se-young of Orserdox Academy, "Stunt actor, the only one who gets immediate applause." [★ Interview with the institute②]

*This content was translated by AI.

[Editor’s Note] [★Lab] Star News meets people who drive the entertainment industry and delves into their own unique know-how and success strategies. Here are the practical experiences and philosophies of those who silently make their way behind the colorful star.

-From interview 1 to interview 1

The education system of the Audox Action School Academy focuses on understanding principles, not just iterations. Head coach Shin Se-young said, "It is more important to understand the principles than to make action movements a lot," adding, "It is the result of melting the research on principles that I have been thinking about since I was an athlete in the past into action education."

He emphasized that only when he learns action movements based on principles, he can afford to digest lines. Director Shin Se-young pointed out, "The scene becomes comfortable only when the body is free, and creative acting comes out in it," adding, "If there is no autonomy of physical behavior, it hardens like a robot learning even with every word of the director's instructions." He added, "I think if you learn the movements completely through repeated training, you can get a proper acting from then on."

As a result, a systematic three-step curriculum was established for Orserdox. The first step is 'physical and physical training'. To develop basic physical strength, which is the most basic, and to prevent injury, conduct intensive circuit training. The second stage is 'memorization training', and the action sum is subdivided and learned step by step. The last three steps are 'camera training'. It is a process of grasping the angle at which the motion is best seen in the video, recognizing the camera, and learning the sense of action in motion.

In particular, director Shin Se-young said he is training optimized actions tailored to each actor's physical conditions. Short actors order agile speed and dagger-oriented action, and tall actors order cool impact using long reach. In the case of female actors, it complements reality and power through weapon actions.

"If an actor doesn't know the principle of action, he becomes a passive being who does what he or she is told to do," he said. "If your body is comfortable enough to clean up your own movement lines, you can become a competitive actor who comes up with your own ideas on the spot."

Director Shin Se-young also explained the pleasure of the stunt actors when the action was matched. "As much as it is fun when the lines are well matched, the pleasure of forming an ensemble in harmony with the opponent is great," he said. "This reward leads to a unique sense of pride that only stunt actors can feel in the field."

"The actors are applauded by the audience after the movie, but the stuntman is the only one on the scene to receive immediate applause," he said. "As a result, I feel professional when I feel rewarded for making a movie together."

-Following the interview 3

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*This content was translated by AI.