[a freshman in the vocal department] 05. The completion of the song, the last detail

*This content was translated by AI.

There is not much difference between people who sing well to some extent.

His tone is good and his emotional expression is natural. The atmosphere of the stage is not bad, either. From the listener's point of view, it sounds like a good enough song. From that stage, however, there is a subtle difference. The degree of completion is eventually revealed in the last detail.

There is a scene like this when you watch a broadcast audition program. The stage is exciting and the audience's response is good. From the viewer's point of view, it sounds like a good enough song. However, the judge's expression is somewhat subtly tilted. When the song is over and the review continues, the reason comes out. "I'm a little nervous about the pitch." It may be an unexpected evaluation to the ears of the general public. Because the song certainly sounded good. However, there is something first heard in an expert's ear. It's a note with a shaky center. The position of the note subtly shakes before emotion or style.

I often see similar scenes in the lesson room. There doesn't seem to be a big problem when singing to MR. However, if you sing one line without accompaniment, the note feels like it turns off. It's not that the pitch suddenly got worse. When the accompaniment disappeared, the standard was revealed. MR is kind. This is because the accompaniment holds the center instead. So you can sing it so that it looks right, not exactly.

The story changes a bit on the recording. In front of the microphone, even a very small pitch shake is revealed as it is. You can hear everything from the beginning of the note to the correct, to whether the long-dragging note does not go down, to whether the reference note is maintained until the end. When taking lessons, the direction of practice is largely divided into three. It is a practice to strengthen the basics, practice for a live stage, and practice for recording. Recording, in particular, requires much more delicate concentration. You keep hearing things like small pitch differences, pitch length, and maintenance of reference notes. So, the more experienced vocals are in recording, the faster their ears open. The sound becomes more and more precise, too.

The age group of people who come to take lessons these days has also expanded. There are many adults who want more than a hobby. Beyond just singing, they want to learn details like R&B's Rick and Scat. However, these techniques eventually work on the pitch basis as well. Decoration is not made by senses alone. When the skeleton of pitch and rhythm stands, the song sounds three-dimensional. When the song reaches a certain level, the difference is revealed in a very small place. Whether the note is standing correctly, or if it shakes subtly. In the end, the completeness of the song is determined by such details. And the difference mostly starts on pitch.

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*This content was translated by AI.