It was possible because it was Yoo Haejin..The name value proved again as 'Bangsa Nam' [★FOCUS]

*This content was translated by AI.

Why Yoo Hae-jin overwhelmed the screen once again. With the power of the actor alone, he firmly held the center of the narrative, invited the audience to the era, and proved once again why Yoo Hae-jin had to be.

"The Man Who Lives with the King" is the story of Cheongryeongpo in 1457, a chief who claimed to be exiled for the revival of the village, and a young predecessor who was expelled from the throne and exiled. Yoo Hae-jin's discontinuation Lee Hong-wi (Park Ji-hoon) plays Um Heung-do, the chief of Gwangcheongol, who came to exile.

Yoo Hae-jin brings the work to life by performing a unique thrilling performance based on the cheery yet humane aspect of the chief. In particular, from the process of gradually opening up to Lee Hong-wi to the end, he firmly holds the center of the work by convincingly building the emotional line of the character. After watching the work, it is difficult to think of other actors except Yoo Hae-jin.

Yoo Hae-jin said, "I'm unlucky even if I'm born with acting, and I don't think I'll be unlucky even if I say I'm trying," smiling, "I always try to keep (the lines) in my mouth." Nothing is more honest than that. If I keep repeating it, I get stuck in my mouth and an unexpected idea comes to mind, he said. "So even on days when there is no filming, I go around and practice before an important god." When that happens, there are times when good ideas come up," he said.

He said he personally interpreted Eom Heung-do's view of Lee Hong-wi. Yoo Hae-jin said, "It was important how to look at Lee Hong-wi and how it would permeate. At some point, he said, "I naturally drew the feeling that 'Is this how parents feel when they see their children?'

As for the ending scene, he said, "On the contrary, I can't conceive a scene with too much emotion. I just leave it to the feelings of the time. It can be said that I ran for only that ending scene that day, but there was a lot piled up in it without knowing, including his relationship with Danjong and his relationship with Jihoon, who played Danjong."

I thought, "Let's just be sincere." Usually, I greeted Ji-hoon or the people on the spot with pleasure, but on that day, when I saw Ji-hoon, I felt like I would burst into emotions in advance. So I went around avoiding Jihoon. I called him a senior from afar, but he wouldn't let me look at him. "It was an indescribable emotion," he said, adding, "I took it about two or three times to capture that emotion well."

Yoo Hae-jin praised Park Ji-hoon, who worked with the king for the first time. He said, "Actors see each other's eyes when they talk, and that's when you see whether this actor is in the story or not. When I saw his eyes when he was shooting a sad scene, he was already wet. Then the viewer (feeling) comes to mind. On the contrary, if I'm wet, Jihoon's eyes get bloodshot when he sees it. Of course, Jihoon must have had a hard time because my eyes were small."

"But when I saw something like, 'This friend is really in the story,' I felt something that I didn't have. I think that's what synergy is," he said.

He said he had never seen Park Ji-hoon's acting before breathing in "The Man Who Lives with the King," adding, "I only watched the trailer for "Weak Hero" and teased him a lot with the scene. However, because I don't know the acting of an actor named Park Ji-hoon, I was actually worried. In particular, the role of discontinuation is really not easy. It is not easy to change from weak to strong, to death, but it did so well. It was because there was a sincere look in the background," he said.

"While walking quite a lot on the set, I think the friend asked me various questions and talked a lot about each other's opinions," he said, adding, "I felt that we were really good friends in the beginning."

"When I see an actor like Ahn Jae-hong, I get stimulated that I shouldn't sleep without realizing it at the scene, but I also felt that from Ji-hoon (Park). After Ji-hoon's acting, it was a stimulus to 'I should stay alert, too,' he said.

Before the release, Yoo Hae-jin said, "Like Mo, the target of this movie seems to be a wide range of works. From the moment I saw the script, I liked it because I thought it was a story that all generations could sympathize with, adding, "Honestly, I don't think there are elements that can work well." It is a work that encompasses generations," he said.

Despite the difficult situation in the film industry, Yoo Hae-jin is proving his presence by firmly protecting the screen. He said, "I remember being happy when I've been eating movies so far and people were looking for theaters a lot. Although the situation is bittersweet now, I hope the movie will continue in a way that does not harm those who invested," he said. "I can't make a 'jackpot' work on my own, but I hope and hope that a virtuous cycle will be created in which good works will be produced consistently and good writers will be created."

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*This content was translated by AI.