'Controversy over Mocking Menstrual Cramps': The Apology Golden Time That Satire Missed [★FOCUS]

*This content was translated by AI.

The most reliable way to quell public anger is a prompt and sincere apology. However, Satire (real name: Yoon Bo-mi), a transgender former African BJ (broadcasting jockey) turned internet streamer, chose the exact opposite path—the worst possible move.

While the controversy over "mocking menstrual cramps," which began with her flippant remarks, continues, she has stubbornly remained silent and consistently resorted to cowardly deletion-and-frying (deleting content after it has gone viral), thereby pouring fuel on the public's anger.

Recently, Satire secretly deleted the controversial segment regarding menstrual cramps from the main video uploaded to her YouTube channel "Satire TV" and from short-form reel videos posted on her personal SNS. Despite days of intense online heat and a fierce wave of criticism spreading like wildfire across the internet, she removed only traces of her own shameful behavior without uttering a single word of apology or showing any sign of reflection.

The incident began as follows. On the 6th, during a YouTube video with fellow broadcaster Shin Gil-ru, Satire made a reaction as if her stomach were full. When Shin Gil-ru asked for the reason, she replied, "Menstrual cramps, menstrual cramps." Upon hearing Shin Gil-ru's cutting remark that "transgender people are not supposed to menstruate," Satire sprayed out the makgeolli (Korean rice wine) she was drinking and burst into loud laughter.

For some, menstrual cramps involve unbearable physical pain that makes daily life impossible without painkillers every month, and in severe cases, can even require emergency hospitalization. Yet, Satire reduced this to a trivial prop for showcasing her comedic skills and boosting video views. The public's disappointment has gone beyond mere displeasure, given that she turned the suffering of others—suffering she will never personally experience in her lifetime—into a source of mockery.

Most importantly, Satire is a transgender person who has sought recognition and respect for her identity as a "woman." While she cleverly absorbed public support and encouragement when breaking down the walls of prejudice as a social minority, her display of such impoverished sensitivity and violent attitude in the face of the biological pain that real women endure in reality constitutes a painful farce and a contradiction.

What further enraged the public was Satire's despicable response following the controversy. Immediately after criticism arose, what the public wanted was a mature adult who would acknowledge their recklessness and bow their head in apology. However, even at the height of the controversy, she posted updates about enjoying overseas travel with complete nonchalance, without offering a single word of apology, openly engaging in a power struggle. As the arrows of criticism became uncontrollably fierce, she eventually deleted the problematic SNS reels and then proceeded to cut off the entire YouTube main video—a classic tail-chopping maneuver.

This behavior clearly reveals her shallow arrogance. While it is said that no comments are worse than negative comments, the worst of all is the disregard and silence that thoroughly deceive public criticism. The videos already frozen in cyberspace might be erased with a few mouse clicks. However, the deep disappointment and sense of grievance lodged firmly in the public's minds cannot be wiped away by any delete button.

The effective lifespan of an entertainer who cannot empathize with others' suffering must inevitably be short. Whether cowardly deletion of traces and endless silence were truly the best defense for a broadcaster who lives off public love remains to be seen, but Satire now needs to deeply reflect on her collapsed foundation. Even the golden time for apology is already slipping away helplessly.

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*This content was translated by AI.